Trojan horse: Single-channel video installation, length: 30 mins (loop);
Deposition of Utopia: Stainless steel wire, crystallized sugar, rammed earth, spruce needles
25 x 150cm
Platinum plated silicone hose, silicone gel, maple wood, metallic lacquer, stainless steel rods
Total length of 45 meters over 4 walls
powder coated stainless steel, satined plexiglass, LED
200 x 320 cm
Introduction to the current work series of sculptures based on the theory for the Anthropocene.
Solo exhibition, 2017
Aluminium, aluminium potassium sulphate, lacquer, MDF, glass
65 x 92 x 11 cm
Aluminium, aluminium potassium sulphate, lacquer, epoxy resin, cotton cord, aluminium hook
29 x 44 cm
Breathing objects: rubber, aluminium
Table: MDF, spruce wood, lacquer, glass cylinders, LEDs, air compressor
Platform: 220 x 40 cm
Table: 210 x 120 x 30 cm
Aluminium, aluminium potassium sulphate, lacquer
20 x 30 cm
Leg: 150 cm
Aluminium, aluminium potassium sulphate, lacquer
20 x 30 cm
Leg: 150 cm
Cardboard, rubber, PVC, lacquer
Various dimensions
UV-Print on translucent light-box film
Medical X-ray negatoscope
125 x 62,5 x 11 cm
Crystals: Aluminium potassium sulphate
Cradle and leg: Aluminium
Cradle: 30 x 100 x 27 cm
Leg: 160 x 2 cm
Fine art print
Frame: Aluminium, glass
Frame: 74 x 100 x 11 cm
Legs: 160 x 2 cm
Breathing objects: Latex, pigments, air compressor
The golden space was a collaborative installation.
25 x 50 x 100 cm
Breathing object: Latex, pigments
T-stand: MDF, white lacquer, glass cube, LEDs, air compressor
T-stand: 30 x 110 x 30 cm
Glass cube: 30 x 40 x 30 cm
Breathing objects: latex, pigments
Tables: MDF, white lacquer, glass cylinders, LEDs, air compressor
Platform: 500 x 300 cm
Tables: 210 x 120 x 30 cm
Print on translucent light-box film
Light-box: MDF, white lacquer, neon tubes
Light-box: 100 x 130 x 15 cm
Prints on translucent light-box film
Medical X-ray negatoscope
Negatoscope: 180 x 60 x 15 cm
Prints: 35 x 45 cm
Cardboard, rubber, PVC, lacquer
Various dimensions
The series ‘Alphabet’ is developed on two basic ideas. On the one hand to open up a new form language through the combination of recurring elements. On the other hand, Lena Policzka defines overlapping, form bending and fanfolding as her own sculptural principles. However, this method of shaping is not visible. Her goal is to contrast the technically bent bodies with an organically appealing material. For this, the sculptures are fused with a lacquered rubber coating to a self-contained form.
